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sabrina ~ australia
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iheartmyart:

Sangduck Kim, The Place of no.909_J, 35.8 x 28.3”, oil on canvas, 2010, image courtesy of the artist.

iheartmyart:

Sangduck Kim, The Place of no.909_J, 35.8 x 28.3”, oil on canvas, 2010, image courtesy of the artist.
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me whenever i see a pigeon: nice
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SBTRKT feat. Ezra Koenig - New Dorp, New York
Notepad
Find a beautiful piece of art. If you fall in love with Van Gogh or Matisse or John Oliver Killens, or if you fall love with the music of Coltrane, the music of Aretha Franklin, or the music of Chopin - find some beautiful art and admire it, and realize that that was created by human beings just like you, no more human, no less.

— Maya Angelou (via drawinds)

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drawinds:

Something new and small.

drawinds:

Something new and small.
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Jul 31 14
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annachlumsky:

WE ARE TRULY LIVING IN A GOLDEN AGE

annachlumsky:

WE ARE TRULY LIVING IN A GOLDEN AGE
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caroconlina:

ladies of music

Jul 29 14
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vandlo:

M.I.A. writing her album “Arular” - 2004 

vandlo:

M.I.A. writing her album “Arular” - 2004 
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Notepad
Whatever you now find weird, ugly, uncomfortable and nasty about a new medium will surely become its signature. CD distortion, the jitteriness of digital video, the crap sound of 8-bit, all of these will be cherished and emulated as soon as they can be avoided. It’s the sound of failure: so much modern art is the sound of things going out of control, of a medium pushing to its limits and breaking apart. The distorted guitar sound is the sound of something too loud for the medium supposed to carry it. The blues singer with the cracked voice is the sound of an emotional cry too powerful for the throat that releases it. The excitement of grainy film, of bleached-out black and white, is the excitement of witnessing events too momentous for the medium assigned to record them.

Brian Eno, A Year With Swollen Appendices (via fleurlungs)

(via arabellesicardi)

fantastic

(via hazelcills)

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greypoppies:

London girls wearing pedal pushers, ca. late 1950s.

greypoppies:

London girls wearing pedal pushers, ca. late 1950s.
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Notepad

ohawkguy:

the notebook problem: you see a notebook. you want to buy the notebook. but you know you have like TEN OTHER NOTEBOOKS. most which are STILL EMPTY. you don’t need to notebook. you’re probably not gonna use the notebook anyway. what’s the point? DONT BUY THE NOTEBOOK. you buy the notebook.

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